Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich Suprematist Composition White on White, oil


Suprematist Composition White on White,
Painting ID::  59724
Suprematist Composition White on White,
Suprematist Composition: White on White, 1917
Suprematist_Composition:_White_on_White,_1917
   
   
     

Kazimir Malevich Suprematism oil


Suprematism
Painting ID::  59725
Suprematism
Suprematism, 1921-1927
Suprematism,_1921-1927
   
   
     

Kazimir Malevich Boy oil


Boy
Painting ID::  59726
Boy
Boy, 1928-1932
Boy,_1928-1932
   
   
     

Kazimir Malevich Red cavalry oil


Red cavalry
Painting ID::  59727
Red cavalry
Red-cavalry, 1928-1932
Red-cavalry,_1928-1932
   
   
     

Kazimir Malevich Summer Landscape, oil


Summer Landscape,
Painting ID::  59728
Summer Landscape,
Summer Landscape, 1929
Summer_Landscape,_1929
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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